《衣務室》是呈現關於衣服的事務，展出的物件不是一針一線縫製出來的，而是利用纖維噴織的方式，一體成型噴出來的纖維實驗創作。

利用纖維噴織[i]可披覆塑型的特質，進行類衣服創作及日常物件的再現，物品或許不再具備原本的質感，但外型卻又令人熟悉，在此與觀者之間所產生質料錯置與似曾相識的對話感，是本次展出的中心。

這個像蜘蛛吐絲般的機器，並不像石膏、紙漿可以直接澆淋、翻模，困難在於角度的切入，厚薄層次的控制，機器噴嘴固定，物件需靠手的轉動，百分之百手工勞動…。雖然如此，第一次利用新的媒材進行藝術創作，希望可以引發同好前來討論分享。本次展覽有一個延伸動態服裝秀，將在10月28日下午3點在台灣博物館一樓大廳演出。

財團法人國家文化藝術基金會 行政贊助

台北市文化局 維護贊助

汎岳國際有限公司 茶點贊助

《The Clothing Business 》An Experimental Creation of Fibers: A Solo Exhibition by Wu Yen-I

Description:

As the title “The Clothing Business” implies reveals the business related to clothing.The objects showcased at the exhibition are not made through the process of stitching one thread at a time.Instead, they were woven by a method of jet knitting fibers.This is an experimental creation of fibers that takes due to a spraying motion.

Fibers that are weaved through jet knitting^[1] can be coated with plastic qualities, so that clothes-like creations and daily objects can be reproduced, items might not longer to have their original textures, but it appearances quite familiar.Meanwhile the major concept of this exhibition lies in the dialogue generated through a misplaced sense of deja vu by the viewer.

Like a spider, this machine spews webs to produce forms that are not moldable, unlike those constructed from plaster or paper pulp.The challenge lies in determining the correct angles of approach, controlling the thickness of the layers, adjusting the nozzles, and turning items by hand through a process of complete manual work.  Nevertheless, I want to share my experiences regarding the creation of artwork with this new medium.This exhibition will feature a fashion show presenting these creations at 3 PM on October 28 at the National Taiwan Museum.