溫柔佈置的劇場，悄悄跌入小山之中。

小時候是否曾經用紙箱搭建了屬於自己的小房子？或在衣櫃床底，或在房中柔軟的角落。

間隙間透著微弱的光線，半夢半醒之際構築了自己的小山。

藝術家藉由特定符號與造型模擬的暗示引導觀者與展場空間主動發生隔離。進入且釐清因個人背景記憶而必然出現的場景。作品如同一把鑰匙，打開觀者與自己的互動。如同搭設著佈景的劇場，缺了主角。藉由各式各樣的演員，上演著一齣齣不同的故事。

此次展覽為林芷瑜首次於學院外策劃的個展。藝術家前期創作養分來自於生活間對人際互動的觀察，以人作為核心，從旁觀者的角度講述所見所聞。而此次展出的作品脈絡亦源自學院時期創作。特別的是別於以往的觀察陳列，這次藝術家一邊悄悄訴說著他的故事，同時為觀者搭建了一個內化的觀察視角。除了感官上刺激的接收外，希望邀請觀者來一起喚醒那些也許不曾留意或者漸漸遺忘的畫面。

A theatre, which is gently built, is softly falling into the indwelling hill.

Have you ever built little houses with paper boxes when you were a child? Either under the bed or in the corners in your room, they belong to you.

With the faint lights revealing from the interspaces, you make your own hills vaguely.

The artist make viewers isolate from the space by using certain symbols and modeling, in order to let them recall some specific scenes in their memories. Therefore, this work, as a key of mind, is guiding viewers to interact with the inner parts of themselves.

This is Lin Chih-Yu’s very first solo exhibition after graduate. Her previous inspirations were from the observations of people’s interactions in her life. The works in this exhibition are also originated from previous ones produced in the university. Yet different from directly expressing the observations, she changed her way to construct interior angles of views, for the purpose of reminding people of those forgotten or neglected memories.

新樂園藝術空間  紅太陽藝術有限公司

文化部 台北市文化局

A theatre, which is gently built, is softly falling into the indwelling hill.

Have you ever built little houses with paper boxes when you were a child? Either under the bed or in the corners in your room, they belong to you.

With the faint lights revealing from the interspaces, you make your own hills vaguely.

The artist make viewers isolate from the space by using certain symbols and modeling, in order to let them recall some specific scenes in their memories. Therefore, this work, as a key of mind, is guiding viewers to interact with the inner parts of themselves.

This is Lin Chih-Yu’s very first solo exhibition after graduate. Her previous inspirations were from the observations of people’s interactions in her life. The works in this exhibition are also originated from previous ones produced in the university. Yet different from directly expressing the observations, she changed her way to construct interior angles of views, for the purpose of reminding people of those forgotten or neglected memories.

Shin Leh Yuan Art Space  

RedSun Art Design Limited

Ministry of Culture

Taipei City Department of Cultural Affairs and Acer Foundation