此展覽系列作品中反覆出現的符號語言即是：男孩與叔叔。這兩人皆是經由凝視自身與觀看他人後再現的產物。簡單的比喻來說，他們倆就像是我劇團裡的固定班底。我與這兩位演員在長期合作下開始互相討論，並與他們排練觀看可能，以共謀的協議讓彼此扮演角色活動在事件裡頭。而在事件舞台上他倆互動演出，讓生活中行進的情感與權力關係的流動狀態被戲劇揭示。主動與被動、妥協與讓步，談判與交涉或更甚另尋出路，經由這兩人發生各式各樣的戲劇演練，再進一步以繪畫進行視覺辯證。

The symbols, boy and uncle, appear repetitively in the work. The images of two subjectivities emerge when they gaze at themselves and look at each other. Boy and uncle are the co-producers in my work. For a long time we work together, exchange the ideas, plot the text, rehearse events, and act out. On the stage/in the work, the dynamics involving love or power, activity or passivity, aggression or concession, communication or negotiation, and a blind alley or a way out are uncovered in the interaction between boy and uncle. I draw what they play, becoming a 3-person relationship.