浮生-羅佳碧個展



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  • 5-9
  • [展 名]
    浮生-羅佳碧個展
  • [藝術家]
    羅佳碧
  • [展 期 ]
    2002/11/16 ~ 2002/12/08
  • [開 幕]
  • [展 述]
    此展由三部份構成,彼此組織、闡明一共同主題的不同層面。這三個部份分別代表了三個不同的生物領域:植物、動物與人類。
     
    花朵:
    在鮮活青草中的人造花,沒有顏色,只有黑白,是我對生命的一個抽像看法。它們看起來很脆弱,沒錯,它門是很脆落。摘下一朵真實的鮮花,沒多久這花朵便枯委了。
    這些黑,白的花朵訴說著各種意義;生與死、結構與瓦解、年輕與老邁。但除此之外,它們還是靜物,所以理所當然地它們也象徵了一種無拘無束的美,挑動我們的美的感官。草是新鮮嫩綠的,但也無法持長久。事實上,在展覽的過程中,它會逐漸凋委,只剩草的意念還存留。
     
    蟬:
    以蟬翼為主,將它放大至超乎尋常的大小,給人自由與雄偉的感受。蟬翼的線條非常清晰,輕輕地縫上,整個蟬翼的形象既強壯又脆弱。地面上,觀眾則會發現一個巨大的蟬翼影子,是由灰所構成,讓觀眾突然陷入對蟬翼之美及其確定性的疑問中。
     
    建築:
    黑白影像中所顯示的是一棟廢棄的工業廠房,在德國達姆斯塔特城。它原是一棟火車修車廠,周圍有很多空地。一般人不准進入。這些是我在今年夏天拍下的影像。當我第一次踏入它的大廳以及二樓一些小房間,可能是以前的辦公室,我發現有些人住在那裡的跡象,很顯然是個無家可歸的流浪漢。當時他並不在現場,但室內有些東西透露出這個訊息。那裡有一個睡袋、一些炊具、一面鏡子和一個鐘。這人發現了一個落腳的起地方,並且按自己的需要而做了某種程度的佈置,儘管這裡也非常久寄居之地。據說,這些建築於今年年底前就要全部拆掉,或許現在已經不存在了。我置身於其中,周遭盡是凋零沒落,但那個無家可歸的人的處境,特別令我感到自身存在的漂泊不定。
     
    在展場中將各個不同物件串聯起來的是幾個元素,如黑白的呈現:物件被蒼白了,色彩不見了,只見強烈黑白對比。對比,是一組雙元對立的元素,一個抽象的表達,表達更多對比:生一死,夫一妻,老一少,開始-結束…等等。這些對比無法分開來看,其中一個必然指涉著另外一個。
    另一個串聯的主題是「時間」。展覽中每個部份都與時間有關,並且聚焦於各種義涵上。它既是一段時間,也包含變化和生命週期,以及人生無常和時光飛逝。
  • [主辦單位]

    新樂園藝術空間

  • TOP
  • [Artists]
    Gabriele Nold
  • [Duration]
    2002/11/16 ~ 2002/12/08
  • [Opening Reception]
  • [Description]

     

    The show consists of three parts, they are woven into each other and elucidate different

    aspects of one common theme. These three parts represent spheres like the world of

    plants, the world of animals and the world of men.

     

    The FLOWERS:

    Artificial flowers amidst living green grass. The flowers are colorless, their black and

    White appearance let us assume a rather abstract expression of life. They look fragile,

    they are fragile. Pick a flower in reality and it will die sooner or later.

     

    The CICADA:

    Respectively the wing of a cicada. Out of its usual context and grown to this above the

    Average size it evokes the idea of freedom and sublimity. The lines are clear, softly

    Swung and the wing in its entirely is strong as well as fragile.

    Back to earth, on the ground the viewer discovers a huge shadow out of broken glass

    which abruptly let him about the beauty and certainly of the wing.

     

    The BUILDING:

    The black and white photos are from a huge abandoned industrial complex in  

    Darmstadt/Germany. It is an old repair hall for trains with a lot of land around it. You

    are not aloud to step in, but some people do. I took the photos in summer 2002. When I

    firs entered the main hall and steeped in to some smaller rooms on the second floor

    which might have been offices before, I discovered the presence of a person. Obviously

    of a homeless tramp. He was not there at this moment, but some of the subjects in the

    room where telling their own story. A sleeping big, some cooking pots, a mirror, a

    clock. He found a place to stay and arranged it for his needs. Even if only for a short

    period of time. It is said that by the end of the year all buildings will be torn down,

    maybe they are not existing any more at this moment. At this place decay was all around

    me, but especially the situation of the homeless person reminded me of the unsteadiness

    of my own existence.

     

    The resume the sights and connect the different objects of the show there are linking

    aspects such as the black and appearance: The objects turned pale, the color disappeared

    and made place for a strong black and white contrast. A contrast, a dualism, an

    abstraction which again is expressed by contrary pairs like: life-death, man-wife;

    young-old, beginning-end...These ideas cannot be separated, one implies the other. The

    other linking theme is “time”. Every part of the show deals with it, focused always

    on its different implications. It is about duration, alteration and life cycles. About

    transitoriness and the fragility of the moment.

  • [Organizer]